p. 160 "If God is higher than all reality, we shall find God when we know everything that is reality. And if man possesses powers which enable him to understand the whole Universe, God is perhaps the whole Universe, plus something else." This is what always makes me troubled by this approach to thinking about it. If God is everything and you are a part of that everything, then you are a part of God, not separate. Under such a framework, the whole sentence doesn't even make sense. Hence, this idea and concept of truth next is ... to me, under the wrong framework all together. A few lines traced with special ink on specially prepared paper serve as a receiver for electro-magnetic waves. FULL text of The Morning of Magicians by Louis Pauwels & Jacques Bergier, 1960, originally in French. The book has several very important themes: science and its origins and history, contemporary threats of total destruction by nuclear wars. Among secondary themes important are: history of Alchemy, Esoterica, ESP and military research on ESP and MANY MANY MANY other exciting and profound subjects of research also are present in this Magnificent work by a nuclear physicist from Odessa, Ukraine and very talented French author and science researcher The alchemist in the first place spends many years deciphering old texts that, deprived of any guiding Ariadne’s thread, are like a labyrinth where everything has been done deliberately and systematically to throw the uninitiated into a state of inextricable mental confusion. With the help of patience, humility, and faith he gradually begins to understand these texts. Having got so far, he is ready to begin actual alchemic operations. These we are going to describe, but there is one thing of which we have no knowledge. We know what happens in an alchemist’s laboratory, but we do not know what happens in the alchemist himself, in his mind and heart. It may be that spiritual energy plays a part in the physical and chemical operations of the alchemist. It may be that a certain method of acquiring, concentrating, and directing this spiritual energy is essential to the success of the alchemists’ work. This is not certain, but in this rare context it is impossible not to recall Dante’s saying: “I see that you believe these things because I tell you them; but you do not know the reason for them, and therefore, in spite of being believed, their meaning is still hidden.” We travelled then by bus into the desert, sharing the experience, immortalised by Simone de Beauvoir, of the view of Ghardaïa, with its pastel-coloured buildings, as a beautifully constructed Cubist painting! We spent the next two weeks as guests of the uncle. My friend himself was working on a study of the local architecture, so I followed him on his field trips, or explored on my own when he was researching and writing.

On writing style: This is written in 1960 and a lot of people writing at that time had an approach that is no longer used. They would quote lots of scholars with little context surrounding it and provide large citations without then stating why that particular citation. You'll notice this if you listen to boomers talk. They tend to do the same thing. That just doesn't work in 2020 because the audience is far broader and there are just far more people with the same name. As a result of this style, you really have to work to make sure you understood the author's point. In some cases, this technique is simply to just say "A-ha! I've quoted you into submission," at the end of a series of unconnected points. I mean in some cases, I literally had to re-read the entire section or even chapter but with the intention of diagramming out the main idea. Un saggio del 1960 che è entrato nella storia, anche della fantascienza. Ampi rimandi a fonti storiche, letterarie, dissertazioni filosofiche, matematiche ecc. Contiene addirittura stralci di alcune opere letterarie (ad es. "I nove miliardi di nomi di Dio" di Arthur Clarke, "Un cantico per Leibowitz" di Walter Miller). Our alchemist begins by preparing a mixture of three ingredients. The first, in a proportion of 95 percent, is some sort of ore: arsenopyrites, for example, an iron ore containing among its impurities arsenic and antimony. The second is a metal: iron, lead, silver, or mercury. The third is an acid of organic origin, such as tartaric or citric acid. He will continue to grind and mix by hand these ingredients for five or six months. He will then proceed to heat the mixture in a crucible, increasing the temperature by degrees and continuing this operation for ten days or so. He must take precautions, for toxic gases are released: mercury vapor and especially arsenohydrogen, which has killed many an alchemist at the beginning of his experiment. This was actually suggested to me because of a conversation I was having about the incredibleness of the human mind to manifest thought into reality. I think the person was trying to use this book to tell me I am on a dangerous path associated with conspiracy theories. Problem is, this book is big on references, loose on a real thread of discussion. It reads like an underdeveloped academic that regurgitates lots of names, books, references and quotes but isn't actually going anywhere with it. Jason Colavito (2004). "Charioteer of the Gods: An investigation into H.P. Lovecraft and the invention of ancient astronauts". Skeptic (10.4).

Cast & Crew

In a 2004 article for Skeptic, the author Jason Colavito wrote that the book's tales of ancient astronauts predated Erich von Däniken's works on the topic, and that the ideas are so close to the fictional works of H. P. Lovecraft such as " The Call of Cthulhu" or At the Mountains of Madness (published in 1928 and 1931, respectively) that, according to Colavito, it is probable that Lovecraft's fiction directly inspired the book. [5] First, Pauwels suggests that a being of superhuman intelligence wouldn't need to hide. Neither would an organization of such intelligences. What they said to each other would be incomprehensible to ordinary humans, much in the same way that dogs don't understand what humans say. It would simply be lost on us. Unfortunately now long out of print [Note: The book was reprinted after this article was first published.], the book Morning of the Magicians laid the foundation for all the lost civilizations books to follow, including Chariots of the Gods. As R.T. Gault comments, "It's all here, from the Piri Reis map to pyramidology. The authors are frankly fascinated by the idea that ancient peoples may have been more advanced in some of their technologies than we generally believe" [5]. Pauwels and Bergier went on to pursue their interest in the paranormal in the magazine Planète, dedicated to what they termed réalisme fantastique (fantastic realism). Both The Morning of the Magicians and the Planète magazine had considerable influence on the esotericism of the 1960s–1970s counterculture, heralding the popularization of certain New Age ideas. [3]

p. 121 He talks about the "intermediateness" of real and not real that we live in (inbetween these two). I'm down with this, but the concept is poorly developed throughout this book. For example, what one might say now in modern times is that many concepts of real and not real are static in nature vs accounting for time. What is true this minute is not true next and we are in a state of motion that is unknowable from this dimension. If he would have said that, I would be down, but he doesn't get that far. What's Great: The reason it doesn't have 1 star is because it does a fantastic job of providing details on things that are actually quite hard to find. I did not know the history of Golden Dawn and its relationship with other brotherhoods that led to Hitler and the Natzi's. That said. I wish he would have gone into more about these different brotherhoods and why they split. The book has a bit of the wrong mix on this for me personally. But it's hard to get any of this info, so I can't give it less than 2 stars. Additionally, it references several books that must have been quite common at the time. I do think that the science or other theories of these books are probably now dated some 70 years later. That said, if they were common enough in his time, I'd like to read it so I can understand the history of knowledge better. Adams, Deborah (2009). "Review of "The Morning of the Magicians" ". Curled Up with a Good Book . Retrieved 9 April 2010. By day, my friend and I conducted a Grand Tour of the Mozabite Pentapolis (the five towns built on hills above the Valley of the Mzab); at night, after supper, I read to him great chunks of Le Matin, in which we encountered some of the intellectual byways of Western Europe: byways which would lead to a very dark cul-de-sac. By contrast, the Mozabite ‘elsewhere’ I was discovering felt like an oasis of light. We are now going to give, for what we believe to be the first time, a description of what an alchemist actually does in his laboratory. We do not claim to reveal every detail of the methods employed, but we believe we can throw some light which will not be without interest. Nor do we forget that alchemy’s ultimate aim is the transmutation, of the alchemist himself, and that his operations are only steps in his slow progress toward “spiritual liberation.” We are now going to try to give some fresh information about these operations.In fact, only one of von Daniken's major claims is missing from the "Cthulhu" story, that the ancient gods created mankind in their own image. Lovecraft has an answer for that, too. In his 1931 story "At the Mountains of Madness," explorers find an incomparably old city in Antarctica, and the sculptures on the walls tell a horrifying story of how the Old Ones created Earth’s lifeforms: "It was under the sea, at first for food and later for other purposes, that they first created earth life—using available substances according to long-known methods… It interested us to see in some of the very last and most decadent sculptures a shambling, primitive mammal, used sometimes for food and sometimes as an amusing buffoon by the land dwellers, whose vaguely simian and human foreshadowings were unmistakable" [3]. Reveals the occult influences on the Nazis and introduces the alchemist Fulcanelli and the work of Charles Fort and Gurdjieff We do not know all the laws of matter. If alchemy is a more advanced form of knowledge than our own science, it employs simpler methods. Adams, Deborah (2009). "Review of "The Morning of the Magicians "". Curled Up With A Good Book . Retrieved 9 April2010. Lovecraft's works banished the supernatural by recasting it in materialist terms. He took the idea of a pantheon of ancient gods and made them a group of aliens who descended to earth in the distant past.